Comment

 

Just beautful. Need to learn the cello!

 

Anyway, if you check out the comments on the video, you will see this comment: 

I think every "Christian" artist needs to watch this video. They need to see that there is so much more beyond the contemporary Christian music scene.

This song is the kind of beauty God deserves.

 

I admit, most "Christian" music is filled with dotted eights and gretsches and teles and Voxes. But who's to say what is and what's not beautiful? I don't think God thinks, "Hmm...why don't these people do other styles of music than their dotted eights and U2 impersonations?". I think He loves that we praise Him in any way we can and well what style doesn't matter.  


Different music aim at different target listeners and serve different purposes and I don't think we have the right to say what's beautiful and what's not. In Him, all things are beautiful! U2 impersonations or not. 

 

Also, have to say that it doens't mean that we don't look for other ways to break the 'monotony' of Christian music. Just that last line of that comment irked me quite a bit. 

 

My 2cents. 

God can still move

Even when the music is lousy, and when you miss your cues.

Prayer and worship night in OCF last Friday...was leading with the electric guitar and my, it's not easy! Between having to signal, sing, play riffs and remembering chords and lyrics for 9 songs, stand for 5 hours, it was a blast.

Made so many mistakes last night - the band didn't have as much practice as we would have liked. Nah, I'm being to nice. IT WAS CHAOS!

 

 

But God was still there. 

Hope everyone did experience God in some way or another, I know I did. I spoke words I didn't know I had to people I didn't quite know and people I knew quite well. I was physically tired, but God really just stimulated my mind and renewed my strength. 

Just wanna say, HE ROCKS! 

After Friday

Hmm don't know why I felt like my heart was not there when I was playing - felt unprepared somehow and didn't feel 'it' as much. Hard to explain but I guess some of you will know what I mean.

Anyway, ended up using the Fulldrive 1 most of the time. Really good. Didn't really need the Cornish pedals for yesterday's set. Will probably sell it down the road, we'll see. 

A good problem to have

No idea why I feel like posting so much today - just be happy that I did, okay?

Anyway, a vintage whiteface RAT and a Fulldrive 1 (yes 1, not 2) came in on Monday. As you can see in the pic several posts below, I have them on my board at the moment.

Through a Vox Pathfinder 15 (don't judge me) both boxes sound really good. I think the Cornish G2 has a rival. I will keep either the RAT or the G2. Tough decision. Both very good pedals but each do different things.

After 2 days of testing I find that the G2 is more bassy and middy than the RAT. It's not a bad thing, it makes the sound very rich and it's perfect for fluid leads ala Gilmour. The RAT on the other hand, is rude and has more bite versus the fuzz on the G2. Stacked with the Fulldrive, the combo is just monstrous! Will be doing live testing tomorrow to see how it'll go. I'm leaning towards the RAT at this moment. Let's see whether it's just the honeymoon phase or if it's for real. 

Got a LD-3 and NB-3 on order now - someone help me. 

Anyone wants to buy my Harmony H-75? 

How He speaks

So one of my worship leaders shared her song list for the week..

The songs were, One Way, Blessed Be The Name, How Great Thou Art, You Are My Strength, Our God

Yeah, well I thought, good singable songs. Good.

But Friday rolled around quickly and the past few days have been emotional and indecisive and just crazy. Plus I had GAMSAT the next day (that was okay, thanks for asking).

So yes, was dealing with some personal stuff and I could feel Him talking to me through these songs - how there is only One Way i can do things, which is through him. Or when things don't go my way, and I have to struggle, but blessed be Your name. He is a great God. And for the GAMSAT, He is my strength and if He is for me, who can be against? 

I always struggle with hearing God, I wonder why I can't hear him clearly all the time. But on Fri it was real. He was real. And those seemingly ordinary songs felt tailored to me and the situation I was in. Surprise surprise. 

These were great reminders and great comfort. I'm glad I know this awesome God. 

Do you?

 

Wow, it's been a while. Guitar adventures.

It's been two years since I last posted! Time to get back on the saddle. Great timing, just when I have GAMSAT round the corner *shoots self in the foot*

Gear have been evolving like crazy. Let me see here..

The Bruton Hampden Skyline (see below) was traded for a Yamaha SA 2200. Yamaha sold and Thorn R/S #36 was bought. Got the Harmony H-75 in a trade.

Thorn traded for my old Bruton and a Ice Blue Metallic Fender Strat with a 62 RI body, Eric Johnson neck and Duncan pickups. 

1964 Fender Jazzmaster bought. Bruton sold to a friend. So currently have the Fender strat, Fender Jazzmaster, and Harmony H-75.

I've been extremely fortunate in owning all these great guitars. All different kinds, wish I could keep them all! Will talk about the ones that I liked the most. 

The Fender Jazzmaster came in today and it came from a very reputable dude in the US who says this was the best Jazzmaster he ever played! I have to concure. It's called R.B. because someone initialed the back of the guitar. Full of pre-CBS mojo! It's pretty beat up as you can see and it is with reason. It feels and sounds amazing! Tempted to sell the strat now to free some cash. I think I can cover everything with this guitar. The trem is so nice to use and the Mastery bridge is solid as! With the Pete Cornish G2 the bridge pickup just kills it!

The Thorn will always be special to me. It's a great build by Ron, one pice Alder body, quartersawn maple neck with Tru oil finish that feels so good, staggered locking tuners which are super convenient and, crazy grain on the fingerboard! The racing stripe is also super cool and the pickups are amazing. Ron Thorn makes a great P90, the GT90 that really good! I usually keep it on the bridge pickup when I play out. Super sweet and can get real mean with some gain. Check the pickup out here http://thornguitars.com/gt90pu-htm/gt90pu.htm

The ice blue strat I got it in a trade as I mentioned earlier. Great guitar as well, good for just playing and not worrying about dinging it etc. Tele sounds in the bridge. Very good versatile guitar. 

The Harmony H-75, the garage rock guitar. Goes out of tune, frets are super low (time for refret), has a few non original parts, case is beat up but sounds so good due to the original Gold Foil pickups. The wood has a nice tone to it. Probably I'll use this the least but I just can't let go of it. There's something about this guitar...

Okay, better stop now as I have a test to get to. Hope this post signifies my return to the blogging world. Here's to hoping!

Play it loud. 

 

 

 

Ben Gowell's Tips on Becoming a better electric guitarist

Taken from http:://www.worshipmatters.com/2010/06/05/ben-gowell-shares-tips-on-becoming-a-better-electric-guitarist/?utm-source=feedburner&utm-medium=feed&utm-campaign=Feed:+blogs/worshipmatters+(Worship+Matters)

Here's the excerpt:

Grow in your appreciation for many different styles of music.
Styles like country and R&B were not things that I naturally gravitated towards in high school and college, but in the interest of trying to make myself a more well-rounded guitarist, I sought out a country guitar teacher, purchased Country and R&B albums, and focused in on what the guitar players were doing on those albums. One of the most beneficial things you can do to grow as a player try to emulate what guitarists are doing in different styles. Although guitar lessons were a big part of my learning as a player, equally important was the process of listening to a lot of stuff and copying it. This develops your ears and gets you thinking more like a musician/arranger than just a guitar player.

Play as much as you can with good musicians.
There’s something to be said for ‘woodshedding’ by yourself in your own practice space, but there’s just no substitute for playing with other people. This is where you develop a few different important things. Learning to listen to what’s going on in the rest of the band so that what you play complements and doesn’t compete with everyone else or the vocalist. Often times in a session, I’ll just sit and listen through a song a few times before I even touch my strings. I want to know, what is the mood/vibe of the song? What is the style of the song? What is the message of the song? These are all important questions to ask before you just start noodling around on the guitar. Again, this gets you thinking more like a musician and less like just a guitar player.

Invest in different pieces of gear.
No serious studio guitarist has just one guitar and one amp. Most have dozens of guitars, at least a half a dozen amps, and a wide variety of effects pedals to pull from. Can great music be made with just one guitar and amp? Absolutely. But when we’re talking about being a serious session player, particularly an electric guitarist, you’ve got to be able to get a lot of different tones. Some of that comes from your fingers, but the gear matters, too. The electric guitar, probably like no other instrument in the band, has the exciting and difficult job of creating interesting sounds and textures that can give very different vibes to different songs. The same two notes, based on what effects you’re playing them through, can set a completely different mood. I always tell people to start slow with your purchases. Experiment with different amps to see what they really sound like. Try different pedals and guitars and find their nuances. Look at what bands of the past have used for gear and then listen to their albums. Part of becoming a serious studio electric guitarist is getting a ‘tone education’. Yes, it can be expensive, but you can build your gear list slowly. Buy good used stuff when possible, so that if you don’t love it later on, hopefully you can sell it and not lose money.

Finally, work on playing counter-melodies.
A lot of playing electric guitar is the stuff in-between all-out soloing and just chord playing. Think of an amazing symphony where instruments are playing different counter-melodies over each other. I try to think like that as a guitarist, only on a smaller scale. If everyone in the band is just playing the chord changes with each other, the music will start to sound very mechanical and robotic. Look for melodic hooks and riffs that give the listener something more than chords to listen to. But make you’re your counter-melodies don’t fight with the main vocal melodies - another important reason to listen to what’s going on around you and not just play as a soloist. It’s helpful to buy a loop sampler pedal so you can record different chord changes and then work on coming up with “parts” over them. It can be a very helpful tool for coming up with different counter-melodic parts, and unless you have a good friend who can comp G, C, and D for you for hours on end, a loop sampler pedal is worth having.

 

You see, he says invest in different pieces of gear!! =) So does it mean I can buy all the guitar gear I like??

 

Yeah right.

 

*My new guitar plays wonderfully, can't wait to plug it into an amp! Yes, I know, sad right, havent heard how it really really sounds like*

My latest purchase: Planet Waves Microfibre Cloth to keep my baby nice and shiny